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supported by 5 fans who also own “Saint Laurent Shows”
What a comeback! This album takes you on a journey that's fresh, light and heavy, different but still Justice at its core. The second half takes a surprising but welcomed turn into outer space. I can't *actually* decide on a favourite track, as I love them all for different reasons, but Dear Alan definitely scratches an itch.
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supported by 4 fans who also own “Saint Laurent Shows”
It's hard to think of what to say about this album other than how fun it is to listen to. Basically every other track is either a bop (Such as Rocamble and Belladone) or a strong vibe (Like the serene-sounding Casablanca or the bittersweet sounding Captain). This album is not afraid to get a little bit silly but it never goes overboard with it; the only track I'm not big on is Force majeure (which feels a tad overblown). Really excellent solo project by 1/2 of Justice!
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supported by 4 fans who also own “Saint Laurent Shows”
Because of artists like Justice, I somehow paused from metal for a long while. That's why listening to this Part IV felt like a strange experience and the nicest gift I could received from them.
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4: A Tale From '84
by One Half Of Bent
featured on Bandcamp Radio Apr 29, 2014
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Berlin’s Oval recorded this score for the short film of the same name in his warm and glitchy signature style.
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Object of Unknown Provenance
by R. Karim
featured on Bandcamp Radio Jan 27, 2015
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The “Satanic lord of slasherwave” returns with a batch of new, metal-edged songs.
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